One night.
One take.
Watch now.

Co-commissioned by Fuel and The Place. In partnership with The Albany, Lewisham Homes, Camden People’s Theatre, Northern Stage, and Byker Community Trust. The project is funded by Arts Council England, Wellcome Trust, and the Peggy Ramsay Foundation.


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The Kids Are Alright explores the extraordinary grief of losing a child.

When a day trip to the Natural History Museum turns to tragedy, Karen and Keith return home alone. Behind their four walls they attempt to make sense of the unimaginable in ways as unpredictable as the incident itself. But how do you rebuild a family when a whole life has been sucked out of it? Dismantle a dog? Cruise the Algarve? Or fight to the death yourselves?

This film is the third act of The Kids Are Alright under lockdown restrictions. From open performances across council estates in London and Newcastle to adapting the show for both live and digital audiences, The Kids Are Alright will now be streamed to all in full HD on YouTube.

On what would have been our opening night in Deptford – the last day before second national lockdown – we ran the show on the Evelyn Estate and filmed our one take. The result intimately captures how, for a single hour, characters and residents co-existed as the performance became part of the place.

Watch as one broken couple explode out of their home. And they couldn’t care less who’s watching.

Co-created by director & choreographer Jen Malarkey and writer Lee Mattinson.

Image credit: Camilla Greenwell

#TheKidsAreAlright


Book tickets

Due to the new national Covid-19 restrictions the performances due to take place in Byker, will now be delivered via streams only.

All performances will be free, and open to all. Please scroll down to book a ticket and to see all available performance times.


Behind the scenes

The Kids Are Alright


Reviews

Press quotes   

“A brutal, absurd and powerful piece about the unimaginable British Theatre Guide 

“It’s ridiculous, absurd, infuriating and, at points, very, very sad. Which makes it an almost perfect portrayal of an attempt to navigate loss in the aftermath of an utterly unfathomable event. ★★★★ The Stage 

From the audience 

The movement was gorgeous, the writing was inspirational, your imaginations are outrageous. (@NaomiStafford1Apr 11, 2019, on Twitter)  

Savagely funny, savagely heartbreaking. Clever and weird and wonderful. (@stan_hodgsonApr 10, 2019, on Twitter) 

Gnarly, harsh, beautiful (@Han_CoxyApr 9, 2019, on Twitter)